Beyond the Words
A Look at the Business Side of Writing
Beyond the Words

Who Am I?


A full-time webmistress by day, Jamie DeBree writes steamy, action-packed romantic suspense late into the night. She resides in Billings, MT with her husband and two over-sized lap dogs.

JamieDeBree.com
Brazen Snake Books
Twitter
Facebook
MySpace
jamie@jamiedebree.com

Follow on Facebook

Recent Entries

  1. Is a Picture Really Worth a Thousand Words?
    Tuesday, March 19, 2013
  2. My Thoughts on Predictions
    Saturday, January 05, 2013
  3. Business Lessons for 2012 and Looking Forward
    Tuesday, December 04, 2012
  4. Whoa There! Reining Myself In.
    Thursday, September 06, 2012
  5. Understanding Book Lending and LendInk
    Friday, August 03, 2012
  6. Breaking Even
    Thursday, June 28, 2012
  7. The Long Haul
    Thursday, May 17, 2012
  8. State of the Snake, January 2, 2012
    Monday, January 02, 2012
  9. KDP Select – Thanks, but no thanks.
    Thursday, December 08, 2011
  10. Business Pitfalls and Determination
    Thursday, December 01, 2011

Calendar

June 2013
SuMoTuWeThFrSa
1
2345678
9101112131415
16171819202122
23242526272829
30

Is a Picture Really Worth a Thousand Words?

By now you've heard about the demise of Google Reader coming July 1st (and probably heard my wailing along with thousands of other anguished souls). In exploring my options for a new place to park my feeds, I was disheartened that the most popular are all laid out in a more magazine-style format, where text takes a back seat to big, colorful pictures and offline reading seems illusive as the jackalope.

Then I got the new Pinterest layout, and the pictures are bigger/take up more space, but it's an image sharing site, so that didn't surprise me in the least. I'm not there often - too much busy-ness for my brain, but it's fun sometimes.

Then I checked out the new Facebook news feed...and oh look! Bigger pictures, more prominently displayed. It's actually so close to the Google + layout that if the colors were closer, you'd risk forgetting which site you're on altogether.

This is all very disconcerting for me. I've always been a more text-based person. Sure, pictures are pretty and all, but words are more my thing. Somehow it seems like society as a whole is writing less, reading less, turning to icons and images to communicate rather than using text. It makes me feel a bit lost, to be honest.

When I want information, pictures are generally just extraneous, and often in the way unless they're used specifically to prove a point (even then, some aren't too helpful). Too many pictures all in one place is just a lot of noise for my brain to process - give me a page of text, and I'm happy as a clam. Text is simple. Soothing. Not so "in my face" demanding. I love color, don't get me wrong, but I get overloaded easily when faced with a lot of it all at once.

I never felt odd about the way I process things until just recently, as more and more the internet goes image-based. Considering how quickly everything is moving away from text, and how people as a whole seem to be adopting it without complaint, I'm starting to wonder if I'm in the minority on the whole "preferring text" thing.

What does this have to do with business? A lot, actually - at least I think it does. Cover art has always been very important for books, but now I think it's starting to go way past that. I think that businesses and brands and people in general (read: authors), if they want to be noticed, will need to use images more heavily to catch the majority of eyes. For someone like me, that's a daunting task. But necessary, unless I want to disappear in the midst of all that noise/color.

What's the plan? Honestly, I'm not sure yet. I have some ideas, of course - some of it requiring technology I don't currently have, some just requiring additions to my already-packed schedule, and most of it requiring a lot more conscious thought about images and pictures and sharing. It's not going to happen overnight, but I'm hoping that I can eventually learn to get used to the image-rich environment that the internet is becoming. Sometimes you really do just have to go with the flow (or bow out, and become obsolete).

I'm not giving up on the idea of finding a feed reader that will just give me a simple list of article headings sans magazine-style layout and imagery though. They're out there, just overloaded with new users at the moment. I know I'm not the only one who doesn't want to sift through a bunch of boxes and pictures to read the morning "news" from blogs/sites I follow, so I'm confident that in that particular realm, I'll be able to keep my nice, quiet, text-based experience...at least for a little while.

**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!   

My Thoughts on Predictions

From a fellow creative soul (posted on Facebook): 
Predictions for 2013: Stuff will happen, followed by other stuff and some other events will come about at the same time. People will talk about stuff that happens and do things in response to what happens, which will cause more stuff to happen and then more stuff to happen. Then the there won't be any more stuff that happens in 2013 because by then it will be 2014.
- Ford Forkum

It seems that everywhere I look, people are making predictions about what will happen in the new year, specifically in the book industry (because that's the one I follow most closely). After skimming through a myriad of articles & blog posts on the subject, I've come to the following conclusion:

I don't care.

Honestly, I care more about what someone says one of my stocks might do than whether big publishing houses merge or raise/lower prices, or whether bookstores will go under or figure out how to embrace the digital age. Should I care? Maybe. But I just...can't.

I think the reason I really don't care is twofold. One, I don't make a living wage from my books, and the odds of my ever actually doing so is pretty remote. And I don't really say that from a "woe is me" perspective, but more from a "that's how it's always been, and always will be" perspective. The fact is, no matter what the publishing climate, it's always been difficult to impossible for most authors to make a living writing. Considering that publishing books is an entertainment industry job, it seems obvious to me that the status quo isn't going to change on that. While I dream of locking myself in my house for most of the day and writing with breaks to play with the dogs or do housework, I'm very much aware that in reality, it will probably never happen. Sure, I may find some other line of work that allows me to work from home, but I dare say writing fiction will still be the "second job".

The second reason is simply that regardless of what happens in the industry, regardless of what Amazon does, or big publishing does, or small bookstores do (or don't do), I'll keep writing and publishing and offering my own books for sale. I don't write to market, I write what I like, what I'm interested in, and I write because I enjoy doing so. I'm not a writer who would write something and just tuck it away, but with the internet, I will never have to do that. As long as I have the money to run my own web sites on my own corner of the 'net, I have a forum for my work. And really, that's what matters to me, because even if I did start making good money writing, I doubt I'd have the gumption to leave the security of my day job and retirement account unless the money was huge enough to have an incredible reserve built up for the day when things dry up (having grown up with a small business owner/freelancer, I understand the realities of that life all too well).

I am a consummate planner. Planning is like a hobby to me - I do it automatically and to give myself at least the illusion of control. Sometimes my planning is based on predictions, when those predictions are based on a lot of solid historical data in a particular area (like stocks and company earnings). But with writing, since I don't consider it a reliable source of income and because I'm not locked into any specific distribution arena, I have the luxury of ignoring all the predictions being bandied around and just focusing on my own books and my own publishing schedule. Because that's all that matters *to me*.

And that would be my advice to the majority of writers too. Don't let predictions for the industry distract you from the task at hand - which is writing the next book, preferably one that you love, rather than one that you think might sell somewhere. Write, publish, repeat. That's our job.

**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time! 

Business Lessons for 2012 and Looking Forward

Wow. Another year almost gone, and I'm looking back on the routes I took over the last twelve months, the choices I made, and making a plan for next year. Some things still feel like choices. Other things feel like paths I *must* correct to stay in business, especially since I can no longer afford to "help" the publishing business out with personal funds. This means that whatever I do going forward, I will be relying solely on money the business brings in to pay all business expenses, and if the business account is empty, that means I may have to cut some services (like my BSB online store) or get really, really creative with cover art and things like that. 

Luckily, even though this year has been slower than the last (which is in large part my own fault for not publishing more books), I've still been able to pay the business bills and even pay for stories to publish in a few anthologies. Except for this month. This month, I have anthology authors to pay, which means the money I need for cover art just isn't there. Which is going to set back my publishing schedule by one, maybe two months into 2013, unless I can find suitable free images to use. I'm actually going to pay my authors early just so I can get my budgeting done and see what's left - the author payments come first, of course. And that's another thing I need to make sure I have enough money coming in for, because I enjoy publishing these anthologies, and I want to continue with them.

These are the realities of business. Money in must equal or exceed money out.

You might be reading this thinking, "We knew you'd eventually have to do more promotion, or lower your prices. We tried to tell you - that's how all those authors making the big bucks work."

You'd be partially right, although I do really believe that the key to making more money is to publish more books, not to throw myself into some huge promotional campaign. And my romantic adventures were certainly selling better at 50 cents cheaper, though lately a couple have been doing better than I thought they would at $3.49. I'm still not wholly convinced that lowering prices is the answer though, so I'll keep them as is for at least a few months into the new year.

In any case, there are three things I'm going to change in my writing/publishing business next year to see if I can't get more income flowing:

1. Publish at least one story per month (short, med, novel - whatever). This means more writing, and more focused writing at that, plus no more being lazy about formatting and cover art. Just do it.

2. Get my newsletters going again. I have newsletters for BSB, as well as each of my pen names. They'll go out whenever something new is published under that name (or for BSB, once a month to announce new releases).

3. Create new content weekly (flash stories, shorts, non-fiction, etc) for inclusion with newsletters, blog posting, and exclusive content *to the BSB store*. These will not be available in the major bookstores for several months after they're written, but rather will only be available initially through venues I control. Not only do I hope to bring readers back to my own sites and the BSB store by doing this, but it will be a body of completed work that I can pull from to distribute on the big retailer sites next fall when life gets busy and I don't have so much time to focus on writing. A safety net for ensuring I can keep up with item #1 above.

I've considered a lot of different options, but these three make the most sense to me in beefing up my fiction career. Yes, I could write and submit books to publishers for a two-prong approach, but the simple fact is, I don't want to work with larger publishers. Not because I think they're evil or bad or that they'll ruin my stories - I just simply like publishing my books myself. I take personal pride in having "Brazen Snake Books" listed as the publisher - immodest as that may be. I don't feel like being published by a large company would give me that same sort of feeling.

But I am interested in working with short fiction publishers - magazines and anthologies, mainly. I love my editor and we work very well together, but I think having an editor I don't know go over some shorts would be beneficial to me, and I also just think it would be fun to see my work in some anthologies alongside other authors I admire, and/or in the occasional literary magazine here and there (and by literary, I include things like horror mags and the like, not necessarily highbrow stuff). So I may devote some time next year to pursuing that avenue, not expecting it will bring in much money (who knows if I'll even get a story accepted), but for the experience of doing so. I really like the short story form, and I'd like to get better at it.

You'll notice that nowhere up there does it say I plan to engage in more promotion, aside from reincarnating my newsletters and keeping my blogs up. That's because I want to be a writer, not a promoter, and I know that if I keep publishing steadily, I can make enough to keep my business in business, which is good enough for now. Later, when I have a larger body of work and sales are pretty steady, I may consider a few promotional things to help push it along, but for now, it's all about the writing. As I want it to be.

2013 is going to be a lot of work, but I'm looking forward to it...
**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time! 

Whoa There! Reining Myself In.

I cannot believe it's fall already. This year has been flying by, and I've been swept up in a sea of publishing this summer. It just so happened that I ended up with a lot of stories ready at the same time this year, so for awhile there, I was releasing a new book about every two weeks. That is a lot of work, let me tell you, and I don't even promote my books aside from a general press release, blog post and the accompanying FB updates and tweets that go along with it.

It's been a wee bit crazy, to say the least. I'm doing my own covers, and I still do my own formatting though I did buy a software package called Jutoh that has made ebook formatting far more quick and painless than it used to be. If I could find a program like that for print books, I'd be insanely happy. I'm putting another anthology together now and it's going so well that I'm excited to get the submissions call up for the winter one, though I have no idea when I'll have time to work up that cover and theme.

The problem with momentum is that it feeds on itself. I don't know about you, but for me, working on all these different publications and all the different *aspects* of publishing spurs ideas for me - it makes me think about what's possible, and what I could be doing. Then I see what other people are doing (especially people with more experience than I have) and I start planning to add things like round-robin stories and writer's workshops and independent consulting and short stories in print and those CD stories I've been wanting to do since last year and...

And I have to tell myself to *stop*.

The reality is, I'm already working under a serious backlog. I have six covers waiting to be designed or redesigned at the moment. I have a novella that still needs to be formatted and published in print. I have the anthology to finish up, and the next one to put a call out for. I have holiday stories that need to be written now if they're to be out in time for Christmas. I have flash fiction that needs to be bundled, formatted, and published (either for free or .99). And if I don't pick up the pace on my serial stories, I won't have the individual stories done in time to publish anthologies for December, as I'd originally planned.

In addition to all that, I'm behind on my bookkeeping again, and I need to switch my accounting over from financially tracking every single sale by venue to tracking income from each sales venue as a whole, because now that I have over 20 books up, it's not even remotely feasible to keep track of how many copies of each book sells per month per venue in my accounting software, because I can't import the different reports from all the sales sites, and I simply don't have time to enter all that by hand every month (it gets more time consuming the more books I publish).

In light of that, I also need to choose a program that will import those sales reports from different venues and aggregate them for me, so I can still have decent data on which books are selling best where and when.

Basically, I have all the issues of any other small press to deal with aside from royalty payments (which thankfully, I don't have to deal with unless something by one of the 2 authors who publish with me sells on the BSB site, which happens extremely rarely). That's in addition to my own writing/blogging schedule.

I'm not complaining. Really. I love all of this, and I don't even mind working on a backlog as long as I can keep moving forward (which I generally do). I take time out for myself and household stuff evenings and weekends, so I don't work non-stop. That way lies madness.

But every so often, I think of how much more I *want* to be doing, and it's frustrating to realize that I simply can't. Or won't, if you prefer. I'm just one person, and I work 40 hours a week at a job that pays the bills. Even when I'm at the top of my game, I still can't do everything I want to do with the time and energy I have leftover. That's just how it is.

It's annoying, to be honest. I've had to throttle back several times this year when I caught myself making plans to do something that would be really cool, but would also be more work than I can manage by myself. And I'm not quite flush enough to hire help just yet, though I think I'll get to that point eventually. I want to be able to contract with two each of cover artists, editors and book designers. Why two? Because I tend to burn people out. I don't intend to (and I feel bad about it), but when I get on a roll, it's full steam ahead.

The day I can hire an accountant I just might weep for joy...

Until then, I'll just keep pushing everything along as well as I can, and reminding myself that there are plenty of other authors/small publishers in my position with even more on their plates. After just three years, I'm still at the start of my game. If I'm playing it right, it should only grow from here.

Scared reading this? Tired? Just remember, I am where I am because I put myself here. The beauty of publishing yourself is that you control the pace. Don't let my perpetual state of chaos scare you off - do it your way, and you'll be just fine. Even if your way is a bit chaotic too.

Chaos is fine - as long as it's *your* chaos.
**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!

Understanding Book Lending and LendInk

I rarely (as in nearly never) get involved in online drama. Ninety-nine percent of the time, it's a complete waste of time, and much ado about nothing.

But it sickens me to see LendInk, a book lending bulletin board service being raked over the coals for *piracy* when they have done *nothing wrong*. And the only reason for this is that a subset of authors can't seem to read a simple FAQ page or comprehend the logistics of book lending as sanctioned by Amazon and Barnes & Noble, or the desire of readers to have a place to coordinate that socially with other readers.

People are tossing a letter from Amazon all over the internet, claiming Amazon never sent anyone book files and doesn't sanction off-site lending. And all that is absolutely true. It's a boilerplate response from customer service. Amazon doesn't send your files out, and they don't sanction file sharing on other sites. Obviously.

Problem is, LendInk (and sites like it) never *had* any book files. Just because your cover shows up on a web site doesn't mean the whole file is there. It means the cover and information is there. That's *all*. So no, Amazon didn't send them any files. You know how Goodreads used to pull book information from Amazon? That's exactly what sites like LendInk do. They get the *information*...not the actual book.

When you want to borrow a book from someone on sites like LendInk, you find the book (cover) you want to borrow, and then LendInk sends the person who has it available to borrow a message. That person *goes back to Amazon or B&N*, and lends you the book *through either the Amazon or B&N web site*, using the tools that those two companies have provided to do exactly that. LendInk is only a bulletin board where readers can post what books they're allowed to lend, and other readers can hook up with them to arrange the deal through the major retail sites.

No files are shared via LendInk. None. It's all done through Amazon and Barnes & Noble. Of course Amazon doesn't send LendInk files, because LendInk *doesn't need them*. Piracy is file sharing without the author/publisher's permission. This is *not* piracy. Not by any stretch of the imagination.

Amazon and B&N both have lending set up for all users. All the lending is done *through those sites*, not at LendInk. Are you understanding this yet? LendInk does not have, or share files. Ever.

LendInk doesn't even *loan* books. They just set you up with people who have books to loan or those who want to borrow. That's all they do. 

As for whether your book is "lendable" or not, as an author or publisher, if you choose the 70% royalty option on Amazon, they *require* you to make your book lendable. This is completely separate from the Select/Prime program, and it's the last check box on the pricing and royalties page as you're publishing a book. If you don't want your book to be lendable to other Kindle users, you must choose the 35% royalty option. That's all in their terms of service, which I hope you've read at least once. Because if you're going to license a site to sell your work, you should know what rights you're giving them, and why.

This morning, the LendInk site is down - for what looks like too much traffic. Things like this whole debacle can do that to a site. Hopefully the owner will have enough money to pay the bill and get it moving again.

Authors, please, I beg you. Read your terms of service for *all* the sites you sell on. Learn and understand how the devices you're for work (don't have one? You're on the internet - find someone who does), and how that affects your books. Because maybe nothing will come of it this time (though you may well have caused a perfectly legal site that promoted reading and legal lending to shut down, if he decides it's not worth the effort), you could actually be *sued* for spreading inflammatory lies about a company as some of you have done this week.

I know some of you are just so sure that everyone in the world wants to steal your books that you're unwilling to see reason, and that's a shame. It's also the height of egotism, if you think about it.

And that's all I'll say on the matter - I have better things to do, but at least I tried.

Comments are closed...you can argue about it elsewhere.

Breaking Even

I've realized something recently that doesn't seem all that significant to me due to the lowish numbers, but really, it is, considering that this is the third year Brazen Snake Books has been in operation.

This year, I think my book business may actually break even financially.

I have pretty...exacting ideas about how I want my business to look to potential readers. We're not talking brick & mortar type stuff (we did get our house re-sided last year, but I'm pretty sure that doesn't count). But as far as web sites and my online storefront and covers and author sites go, I want them all to look and act a certain way - and all of that costs money. Some of those costs are monthly, some yearly, some piecemeal, but it's all overhead that adds up. Sure, I could do what the average author does and make use of free blog platforms and sites, but they wouldn't act exactly like I want them to, so I pay to have that functionality. I even pay for my newsletter service, because I want some of the perks that comes with a paid service (you know, when I actually use it...which is a whole 'nuther subject).

For the past two years, I've paid for a lot of this out of my own pocket. The day job isn't just handy for paying personal bills & buying groceries, it's also been subsidizing my book business. I'm fortunate in being able to do that.

Of course, I've also been releasing new books, experimenting with pricing, and spreading my work over multiple sales venues. I started with one book (as do most people), and now I have 19 titles available (with three more on the way in the next couple of months), most of which sell fairly consistently, even if the quantities are on the low side. Because I've moved my prices up (aside from my introductory offers), the quantities aren't really as important, because selling fewer still nets me more profit overall.

After I got my bookkeeping caught up for last year's taxes (*ahem*), I started looking at this year's numbers (which I still need to catch up, dang it). And I realized that I haven't had to add any personal money to my business account to help with the normal month-to-month costs (including various cover art needs) since late 2011. Even in a slow month, I have enough in my BSB account to cover the cost of doing business, and purchase the images I need for cover art (or pay an artist when I need to). That means that I make enough in my "good" months to cover the loss in my slow months....which means BSB is solvent, and also fairly stable since I don't see the huge rises and falls that a lot of other authors see in certain months and at certain times of the year. I'll take long-term stability over wild highs and lows any day, personally. It's easier on both my stress levels and the ego.

I don't have any hard numbers to share at the moment (that whole bookkeeping nightmare again), so I don't actually know if I'm making any kind of actual profit over my monthly costs. But I have to say, just breaking even is insanely exciting, and not just because it means the IRS will continue acknowledging my business as a "business" and not downgrade it to a hobby next year. It's exciting because it means I'm moving forward, however slowly - the business is growing. And that is exactly what I want it to do.

More importantly, it tells me that my business plan is *working*, perhaps slower than I'd like, but it's motivating to know that all my efforts are paying off, and that if I stay on this track, the possibility of full-time income is definitely within reach.

That is an amazing thing - to me, anyways.

Now...back to work...

**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!

The Long Haul

I've written three posts in the past couple of months for this blog, and abandoned all of them for one reason or another. And I think I've finally figured out why. It's that I'm not confident giving others a lot of advice on business when the way I choose to shape my own strategy is a much longer-term plan than most people have the patience for. And since I've never done it before, I can't even say if it will work or not - it will be years before I have that kind of data to share.

Honestly, I've seen so many authors hit it big with just a couple books that some days, I end up doubting my own writing abilities - thinking that those authors must put something on the page that I just don't get (or have), especially since I've read and enjoyed many of their books.

In some cases, I don't see the difference. I don't see what makes those stories more appealing to the general public than mine. Alas, that is the blindness that *all* authors face - the inability to see their own work through any eyes other than their own. 

In other cases, I do see the difference, and yet...I have to write the stories as they're given to me. I can't write in a specific style or format just because that's what sells. Or rather, I *could*, I just won't. Because that would take away the pleasure of the journey for me, and when I'm writing, the discovery is the whole point. That's why I write. 

This isn't jealousy - it's genuine curiosity and...fascination, I guess, with story and writing and what makes a story "take off" when others (not even mine, but similar books) languish in obscurity. I'm not convinced at all that marketing has much to do with it...authors who sell a lot of books are all over the map when it comes to marketing - some do a lot, some do none, some are in the middle, but there are big sellers in all marketing categories.

All this may sound like I'm not happy with my sales, which actually isn't the truth at all. Honestly, I'm kind of surprised that my books sell so steadily - I don't do much in the way of volume (especially after raising my prices), but my books sell at a fairly steady clip, and sometimes certain books surprise me by selling after periods of inactivity. Many authors complain of ups and downs and seasonal changes...and I feel those to a certain extent, but it all seems to even out in the end.

And I also have the pleasure of knowing that sales will go up as soon as I release another book - they always do, without fail. Sure, they fall again, but to a higher level than they were at before, so it's still a net gain.

I wrote a post shortly after the release of my very first book (it seems so long ago!) titled "Passive Marketing", and while I've since tried more direct forms of making people aware of my books, I still believe that simply being involved in social media as a "whole person" (as opposed to an author trying to sell books) is one of the best forms of advertising. The same probably holds true offline as well, but I have career conflicts that limit my ability to do that (as well as my natural aversion to being around other people).

My business strategy is pretty simple. Keep writing. Keep publishing. Network with people. Relate to people in all areas of life, not just writing/reading related.

Write more. Publish more. Read more. Repeat.

My hope is that with this strategy, sales will keep climbing, slowly but steadily. With any luck, eventually I'll make a full-time, career income from them. If it takes ten years or more to get there, so be it. The important thing is, I'm doing something I love, and I'm not giving up on my dreams, no matter what happens down the road. 
 
I'm beginning to understand that much like getting to "The End" isn't the point of my writing, a full-time income isn't really the point of my publishing business. It's the journey, and the discoveries I make along the way that will truly define my life and by extension, my work.

I'm okay with that.

**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!

State of the Snake, January 2, 2012

Happy New Year!! I am very excited to be flipping over the calendar – yes, I realize that years and days and dates and time itself are all human constructs, but I choose to give meaning to this time of the year. It’s not like there’s any better time, IMO.

Two years ago, I made the choice to give up the idea of traditional publishing, and just write for my blog readers. Maybe I’d self-publish my serials, but that wasn’t the point. The point was letting go of the pressure to write a certain way, and just have fun with it. Then I self-published, started making a little money, and decided to pursue writing as a career again, this time, a DIY career.

My life is measured in cycles...

This year, I’ve decided to take the pressure off again. It’s a ton of work to run a publishing company, worry about getting other authors’ books out along with your own, promotion, marketing, trying to make a book (or books) visible...it’s a full-time job (and then some). I don’t mind the work. What I mind is working all day at my day job, and then coming home and feeling guilty about sitting and watching TV or playing digital games because someone else needs me to do something for them, or I should be doing something for the business. By the time I get to my writing time, I have nothing left...the well is empty, and I fight for every single word. Not cool.

The day job isn’t going anywhere anytime soon. I like the things I have, and my lifestyle. I don’t even mind the job itself most days. And unlike those writers willing to put everything on the line for their art, including relationships and health, I’m not. I won’t ever stop writing, because I love it and I can't *not* do it, but that doesn’t mean I’m willing to sacrifice my creature comforts. If that resigns me to amateur status forever, so be it.

I’m also not willing to dance to a traditional publisher’s tune, or give Amazon exclusive rights to my books. Independent means just that, and I am fiercely so – but that comes with a cost, and especially in the case of Amazon, it seems that cost is visibility and sales. It’s all good though – I’m comfortable with my choice, and I’m willing to pay the price.

So I’m pulling away from marketing and promotion, and much of the business-y stuff I’ve been doing over the past year. I’m going to stop worrying about sales, money, and visibility, and refocus writing – craft, productivity, and just enjoying the process for what it is.

And I’m going to stop feeling guilty for watching TV and playing games in the evening before my workouts. There are plenty of workaholics in the world – I don’t need to be one of them.

This blog won’t be going away (in case past posts help someone), but it will be updated only very occasionally (kind of like it has been for the past few months). To those of you still reaching for that full-time career (and don’t get me wrong – I still want that, just not enough to work myself to death), I wish you much good luck. As for me, I’m bowing out of the race, and returning to writing for fun – though I can assure you I’ll enjoy every dollar I earn...


*First time posters are moderated. Thanks for your patience...

KDP Select – Thanks, but no thanks.

So the whole self-publishing community is shaken up today about Amazon’s newest announcement, KDP Select. A lot of authors are jumping right on it…basically it’s the option to make your book available to Amazon Prime members for free in their own lending library (this is separate, as far as I know, from the normal “lend this to a friend” feature).

There’s a really huge catch though – and that is that Amazon requires exclusive rights for the time your book is in the program, and the non-compete clause that goes with that. Frankly, I’m surprised so many authors are rushing to sign up – because at the moment (not for much longer, apparently), indie authors *have the power* to nip that power grab in the bud.

I’m also really surprised at how many authors seem to think Amazon does anything specifically to “help” or “be nice to” indie authors. I am 100% positive that Amazon does what it does to make money…nothing else. They don’t want to offer this as a service to indies, they simply need more books in their prime lending library (since traditional publishers aren’t going along as quietly as Amazon would like), and they know that indie authors will do nearly anything for a bit of exposure. So they dangle the three things authors want most – a little cash, a little exposure, and the ability to make your book free for 5 days – knowing that a lot of them aren’t confident enough in their business acumen to fight them on the exclusivity and non-compete terms.

Amazon isn’t out to help indies here. They listened to what indies want (access to the prime lending library, and the ability to make books free), and twisted it to use for their own gain. They aren’t for or against indie authors – they’re for making as much profit as possible, and they’re not above leveraging indies for that purpose.

I am *not* against Amazon…or any other retailer. I spend plenty of money there, and I’m a prime member myself. And I’m not even surprised or angry that they would do this – it’s business, and for them, it’s *good* business…they don’t have to give a lot to make their prime library explode.

I *am* surprised that so many indie authors, who have the power right now to take control and *insist* on better contract terms (because they have the most important thing Amazon needs for the Prime library to succeed – content), are so willing to play along with Amazon and not use the power they have to ensure better contract terms right from the start. If indies refused, by and large, to enroll in this program until the exclusivity and non-compete clauses were stricken, Amazon would have no choice but to either run with a much smaller library of books for Prime borrowers, or to back down on the terms.

Yes, I really think indies have that much power right now. Or they did, until literally thousands of them just jumped right on board and allowed Amazon to dictate the contract.

It’s disappointing, because I think we’ve missed a major opportunity to hang on to leverage of our own. But that’s the thing about being independent…we all get to make our own choices. Unfortunately, I think signing up for this program is a choice that will show Amazon (and other companies) just how much power we’re willing to give away as a whole…and that very well could be a bad thing in the future. Much like authors who blindly signed/sign away too many rights to traditional publishers.

In any case, you won’t see any of my titles or any BSB titles in the Prime lending library. They’re still available to lend to friends after you buy them, and they’ll still be available on Amazon and the other major retail sites, as well as the BSB store, of course. It may cost me in the end, but I wouldn’t sign an exclusivity or non-compete clause with a traditional publisher (or at least if exclusive rights, there would be a lot more money in it for me, but no non-compete clause, for sure), so there’s no way I’d agree to one with Amazon (or any other retailer who wants to try that).


**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!

Business Pitfalls and Determination

November was an insanely busy month for me and BSB – somehow I ended up with far more projects (only about half of which were actually writing) than I really had time for. I can’t tell you how easy it is to fall into that particular trap, especially when things are already going pretty well, and I tend to think, “hey, what’s one more thing?” Well that, and all these things I’d promised to do for other people just hit at the same time, rather than being nicely spaced out (I’m not complaining – it’s just funny how it always seems to happen that way). In any case, I made it, and without any serious casualties (or I think, anyways), so that’s good. Here’s hoping I didn’t lose too many readers with my spotty serial posting and lack of online visibility, though I undoubtedly had some casualties. Unavoidable, unfortunately. I did what I could to keep up under the circumstances. Sometimes that’s all you can do.

So now that I have perspective and a lot more experience, I’ve been thinking a lot about how to make sure I don’t get caught in that particular trap again. And of course this is a good time to be thinking about such things, since this year is ending and a shiny new one is waiting just around the corner. Unlike a lot of people, analyzing and reorganizing my goals is a process I actually really enjoy, so I’m quite excited to sit down and take what I’ve learned this year to apply going forward.

First though, I still have some catch-up/clean-up work to do for the year. There are a few business issues that simply *must* be corrected as soon as possible, because at the moment, they’re only affecting me personally, and I am determined that they will be taken care of before they start affecting the other authors working with me. If you’re reading this blog, it’s probably because you want all the dirty details of what goes on behind the scenes, so I’m going to be straightforward and share my biggest shortcomings, so that with any luck (and a lot of determination), you won’t make the same mistakes.

1)      Contracts -  This is something I knew in the back of my mind was a necessary thing to have for the authors publishing with me, but because they’re both good friends, and because I mistakenly thought they could read my mind (that’s a comment on my own shortcoming, *not* theirs), I let it slide. And that (along with a serious lack of sleep on my part) led to a pretty sizable misunderstanding that could easily have ruined a very good working relationship along with a friendship. The misunderstanding would have been completely avoided with a good contract from the start. I now have a basic contract in place to use with authors who do hybrid publishing with me (I’m not talking about Rattles, but hybrid deals that involve royalties rather than flat fee payments), and while it’s not perfect, it’s far, far better than not having things laid out in a clear format right from the start. Before 2012 gets here, I want to refine that contract and make it more comprehensive for the next round of publications – more to make sure we’re all on the same page than anything else. I haven’t hired a lawyer to look it over yet, but I may do just that after I have things as clear as I can make them. Even if you’re just doing it yourself though  – don’t underestimate the need for this if you’re going to work with other authors.

2)      Bookkeeping – Lord, how I suck at this. I truly just haven’t had time to keep up, but it’s not a “have time” sort of thing – it’s a “must make time” sort of thing, even if it means skipping a writing night. That’s the huge thing with running your own publishing business, even if just for yourself – you either pay a bookkeeper, or you make time. It simply *must* be done, especially when you bring other authors into the mix. I am at this moment nearly eight months (yes, 8) behind on my bookkeeping – tracking sales, expenses, etc. It’s going to take me several days worth of solid work (ie, no writing) to get all that data rounded up and put into Quickbooks so that I can both provide statements on time for the authors who publish with me, and so I can do my taxes next spring. I am *not* behind on any author payments, and that’s not going to ever happen no matter what state my books are in. But the books need to be up to date and I need to have a schedule for keeping them up to date in place before January 1. Period. There’s no point in even going forward with the business if I can’t master this one very important task – poorly kept books can bring an entire business to the ground in the blink of an eye. I will not let that happen.

So those are my two “Achilles heels” at the moment, but I’m not going to let them stop me or bring me down. In my day job, if I don’t know how to make something work, I figure it out. There’s no such thing as “can’t”, just “how long will it take to learn”. The same applies to my pub business – just because I don’t know how to do something “yet”, doesn’t mean I won’t figure it out. And I think that’s the sort of attitude you need to have to be successful.

Now that my fall storm seems to have passed, I’ll be free to pick up this blog again. So more posts coming this month on the business side of things.


**Your first comment here will be moderated. After you've been approved, comments will post a few minutes after you submit them. Thanks for your time!